“Tender and contained … charged with feeling, with curiosity and reflection and profound heartache.”
– NEW YORK MAGAZINE / VULTURE on THE FOLLOWING EVENING
“A meditation on mortality and renewal, art and evanescence, embrace and entanglement.”
– NEW YORK TIMES on THE FOLLOWING EVENING
“Truly adventurous, assumption-busting thinking about what theater is and what it can be.”
– SAN FRANCISCO CHRONICLE on A THOUSAND WAYS
“quietly shaking up American theatre since 2009”
– THE GUARDIAN
“One of New York’s best nontraditional companies”
– THE NEW YORKER
“the standard-bearers of contemporary theater-making”
– LE MONDE
“This is a work of inquisitive humanity and profound gentleness, which over the course of an hour buffs away the armor that lets us proceed through our days brusque, numb and antagonistic.”
– THE NEW YORK TIMES on A THOUSAND WAYS (PART TWO)
“The term “experimental” tends to signal an ambition to flaunt difficulty and occlude meaning, but 600 Highwaymen’s experiments with theatrical form are distinctly generous. That is the case with “A Thousand Ways,” which takes a simple premise and turns it into magic.”
– THE NEW YORKER on A THOUSAND WAYS
“This project is an exercise in civics, make no mistake, but it is also a dear love letter to theater.”
– BUFFALO NEWS on MANMADE EARTH
“an intensity and focus that is quite unlike anything I ever have seen … the boundaries between the transmitters and the receivers dissolve before your eyes.”
– THE CHICAGO TRIBUNE on THE FEVER
“a poetic evocation of our mostly unspoken — and un-called-upon — dependence on one another.”
– THE NEW YORK TIMES on THE FEVER
“bold and daring …a ritual that taps the sacred and the profane, the essence of human existence.”
– EXEUNT MAGAZINE on THE FEVER
“Simple but sublime … The show alerts us to the awesome strangeness, and the utter ordinariness, too, of being alive in the here and now.”
– THE NEW YORK TIMES on THE RECORD
“Just when you think you might be getting a little cynical about the theatre … think about 600 HIGHWAYMEN.”
– THE NEW YORKER on EMPLOYEE OF THE YEAR
“The Record explores the nature of being human, of being at all, … To touch, to feel, to breathe, to see: it is an intense moment of being present and of being in this all together.”
– EXEUNT MAGAZINE on THE RECORD
“As real as a rodeo”
– AMERICAN THEATRE MAGAZINE on THE RECORD
“I wish to hear anything that 600 HIGHWAYMEN has to say… the company’s guilelessness is central to its beautiful art…600 HIGHWAYMEN want to re-wire your theatregoing DNA”
– THE NEW YORKER on THIS GREAT COUNTRY
“The work 600 Highwaymen does is beautiful and moving and maybe, in some crucial or understated way, a democratic enterprise that asks us all to consider the unique beauty of one another.”
– CULTUREBOT on EMPLOYEE OF THE YEAR
“there’s nowhere to hide in this latest production by the rising young theater company.”
– THE NEW YORK TIMES on EVERYONE WAS CHANTING YOUR NAME
“A New, Post-Recession Take on a Sacred Text”
– WALL STREET JOURNAL on THIS GREAT COUNTRY
“marathon performance [with] immense profundity… it [gives] back in spades.”
– L MAGAZINE on THIS TIME TOMORROW
“Pointing to an exciting direction for theater/performance.”
– CULTUREBOT on THIS GREAT COUNTRY
“Delicate tricks up their sleeves.”
–THE NEW YORK TIMES on THIS TIME TOMORROW
“rediscover the sense of possibility… between spectator and actor.”
– BROOKLYN BASED on THIS TIME TOMORROW
“Best of 2010”
– L MAGAZINE on THIS TIME TOMORROW