Wow. Thanks to all who made the first two nights of THE RECORD a thrilling, sold-out, magnificent experience! Two more shows to go. Waitlist opens half-hour before showtime outside The Invisible Dog.

In rehearsal for THE RECORD – see you at the Invisible Dog in February.

Read Jessica Applebaum’s feature on 600 HWM in Culturebot. “There is something wonderfully and simplistically spiritual to this process …The typical plans, the hierarchies that are often followed, in the creation of a performance are in many ways leveled by the Abby and Michael … What follows is a theatrical event that unfolds before the audience in a manner that feels synergetic, feels as if it should take place in the space it was made and with the people who are performing it.”

20 minutes of a new 600 HWM work at Dixon Place, 8PM! One night only and ten performers. Come check it out.

We’re full swing in rehearsals for our newest work, EVERYONE WAS CHANTING YOUR NAME, which will preview at the 2012 PRELUDE Festival on Oct 5th. Also, pick up a copy of American Theater magazine to read about 600 HIGHWAYMEN and Austin’s Fusebox Festival.

Read about 600 HWM in Culturebot’s feature, “On Social Practice and Performance.”

Back in NYC, and now – onto the next. Thank you Austin and Fusebox for a great 5 months.

Read Mark Gifford’s review of THIS GREAT COUNTRY: “I desperately want to tell you about the techniques the directors employ and provide you with my critical interpretation, but I’ll be a good boy and restrain myself. Telling would spoil the suprise. Just know this: At the end of the play, despite the fact that I knew how it would end, I had tears in my eyes, and I’m fairly certain I wasn’t the only one.” (Thank you, Mark!)

All performances of THIS GREAT COUNTRY are sold out! We are adding seats where we can. Please come on the waitlist and Fusebox staff will try to squeeze you in.

Jean Claire Van Ryzen’s writes on THIS GREAT COUNTRY; “a trenchant new version.”