
A project that began eight months ago as OEDIPUS is now EVERYONE WAS CHANTING YOUR NAME, opening this week at Abrons Arts Center. Get your tickets!
A project that began eight months ago as OEDIPUS is now EVERYONE WAS CHANTING YOUR NAME, opening this week at Abrons Arts Center. Get your tickets!
Eliza Bent writes about 600 HWM’s casting practices in TDF Magazine. Read it here.
A week of prepping in Vermont, and now in rehearsals underway in Brooklyn. See you at Abrons in 6 weeks for EVERYONE WAS CHANTING YOUR NAME.
Wow. Thanks to all who made the first two nights of THE RECORD a thrilling, sold-out, magnificent experience! Two more shows to go. Waitlist opens half-hour before showtime outside The Invisible Dog.
In rehearsal for THE RECORD – see you at the Invisible Dog in February.
Read Jessica Applebaum’s feature on 600 HWM in Culturebot. “There is something wonderfully and simplistically spiritual to this process …The typical plans, the hierarchies that are often followed, in the creation of a performance are in many ways leveled by the Abby and Michael … What follows is a theatrical event that unfolds before the audience in a manner that feels synergetic, feels as if it should take place in the space it was made and with the people who are performing it.”
We’re full swing in rehearsals for our newest work, EVERYONE WAS CHANTING YOUR NAME, which will preview at the 2012 PRELUDE Festival on Oct 5th. Also, pick up a copy of American Theater magazine to read about 600 HIGHWAYMEN and Austin’s Fusebox Festival.
Read about 600 HWM in Culturebot’s feature, “On Social Practice and Performance.”