
Though our run of Employee of the Year at Under the Radar is almost sold out (!), many people are getting in off the waitlist. Please don’t be discouraged from coming early to try to get tickets. See you there!
Though our run of Employee of the Year at Under the Radar is almost sold out (!), many people are getting in off the waitlist. Please don’t be discouraged from coming early to try to get tickets. See you there!
After several months of performing out of town, we’re happy to be gearing up to bring Employee of Year home to the Under the Radar Festival. See the festival website for tickets & info.
Happy to be home after a fantastic series of performances of Employee of the Year at the Noorderzon Festival and Zürcher Theaterspektakel, where we were the proud recipients of the 2015 ZKB Patronage Prize. The show continues with several domestic engagements: check our calendar pages and come see us! (photo by company manager Lilleth Glimcher).
Employee of the Year is nominated for a 2015 Bessie Award for Outstanding Production. We are thrilled, floored, humbled, grateful. See you at the awards ceremony at The Apollo Theater on October 19th.
Just returned home from the Festival Theaterformen in Hannover, Germany. Never before have we performed two 600 HWM works side-by-side (or back-to-back?). All performances of The Record and Employee of the Year were sold out to fantastic audiences. Tchuss, Germany. Genau.
600 HWM is featured in Jordan Tannahill‘s new publication “Theater of the Unimpressed”. Jordan came to see This Great Country and focuses on the 2013 NYC production in a section of his writing. 600 HWM’s involvement aside, we highly recommend this book. Jordan’s writing and thinking is striking and interesting.
Thanks to all of our new French friends who worked (onstage and off) to make THE RECORD in Paris a grand success. Merci!
Abby & Michael are featured in Eliza Bent’s piece in American Theatre magazine about couples who work together.
The Record is one of the NY Times’ “Stage Memories from 2014.” “The piece filled the stage with joyful human tableaus and, surprisingly, my eyes with tears.”